advertisement
FYI

Music Canada Makes A Mark At Music Policy Forum Summit 

EVP and Forum co-founder Amy Terrill presented a workshop and moderated a panel at the recent two-day event in Washington DC. An updated version of the groundbreaking Keys to a Music City report was released.

Music Canada Makes A Mark At  Music Policy Forum Summit 

By FYI Staff

The 2018 Music Policy Forum Summit took place October 26-27 at Georgetown University in Washington, DC. The event brought together a collection of musicians, researchers, policymakers, industry and nonprofit leaders, and other stakeholders for a wide-ranging exploration of some of the most promising and exciting thought leadership in the music and policy space.


Music Canada’s EVP and Music Policy Forum co-founder Amy Terrill was a speaker at the summit, presenting a workshop entitled Bridging the Gap: Effective Models of Local Governments in Partnership with Local Music Communities. The seminar centred on sharing insights from Music Canada’s report Music Policy Forum Summit: Examining the Merits of Music Offices, Boards, and Night Mayors, released in May 2018 at Canadian Music Week. Since then, the report has been updated to include the experiences of three additional cities whose unique approaches to developing music ecosystems offer a valuable addition to the paper.

advertisement

You can read this newly released version of Keys to a Music City here.

During the second day of the summit, Terrill also moderated a panel entitled True Adventures in Launching a Music Strategy. It featured practitioners from cities at various stages between vision and implementation: former Toronto City Councillor Josh Colle; Lynn Ross, Cultural Planner at the City of Vancouver; Allison Harnden, Nighttime City of Pittsburgh Economy Manager;  and Ottawa Music Industry Coalition GM, Nik Ives-Allison.

Source: Music Canada

advertisement
Shhenseea, MOLIY, Skillibeng and Silent Addy
ACEPXL

Shhenseea, MOLIY, Skillibeng and Silent Addy

Awards

Here’s Why ‘Shake It to the Max’ Was Deemed Ineligible at the 2026 Grammys — And Why Its Label Calls the Decision ‘Devoid of Any Common Sense’

Representatives from the Recording Academy and gamma. CEO Larry Jackson comment on one of this year's most shocking Grammy snubs.

Few phrases define the year in music and culture like Moliy’s scintillating directive to “shake it to the max.” The Ghanaian singer’s sultry voice reverberated across the globe, blending her own Afropop inclinations with Jamaican dancehall-informed production, courtesy of Miami-based duo Silent Addy and Disco Neil. Originally released in December 2024, Moliy’s breakthrough global crossover hit ascended to world domination, peaking at No. 6 on the Global 200, thanks to a remix featuring dancehall superstars Shenseea and Skillibeng. Simply put, “Max” soundtracked a seismic moment in African and Caribbean music in 2025.

Given its blockbuster success, “Shake It to the Max” was widely expected to be a frontrunner in several categories at the 2026 Grammys. In fact, had the song earned a nomination for either best African music performance or best global music performance, many forecasters anticipated a victory. So, when “Shake It to the Max” failed to appear on the final list of 2026 Grammy nominees in any category earlier this month (Nov. 7), listeners across the world were left scratching their heads — none more than gamma. CEO Larry Jackson.

keep readingShow less
advertisement